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From sketch to screen
Cristóbal Henestrosa, Laura Meseguer, José Scaglione
How are typefaces designed? What is the process? Which characters are essential? What is the difference between roman, italic and cursive? What is OpenType? In How to create typefaces Cristóbal Henestrosa, Laura Meseguer and José Scaglione answer these and many other questions in a straightforward and direct way.
This publication, aimed at new and novice type designers as well as those trained in the field, unravels the fascinating task of creating a font, from sketch to screen.
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Content
Foreword by Gerry Leonidas
1 Motives
Moom 3 2 6 – versatile window manager. The thinking that happens before even starting the process of creating a new typeface.
Typeface 2 6 4 2006 Torrent Pirate Bay
2 Writing, calligraphy, drawing and type designs
On the similarities and differences between methods of writing, calligraphy, drawing, and type design; shared characteristics, common elements and considerations when sketching typographical characters.
3 Processes and methods
On approaches to sketching, proportion and structure, consistency, optical correction, planning and workflow.
4 Digitisation
On digitising the sketches, principles of drawing with digital outlines, fundamental and complementary characters, sequences and derivations.
5 Spacing
On basic methods to control and adjust spacing: sidebearings and kerning, the importance of counterform, numerals and vertical spaces.
6 Typographic programme
On series design and family variations – italics, weight and proportional variants, optical sizing, superfamilies and other ways of extending a typeface family.
7 Typography as software
On the role of digital technology in typeface design, from the basics of formatting to the possibilities of Open Type features and Unicode.
8 Distribution
On legal issues and marketing, plagiarism and piracy, distribution models, custom typeface design and costings.
Content
Foreword by Gerry Leonidas
1 Motives
Moom 3 2 6 – versatile window manager. The thinking that happens before even starting the process of creating a new typeface.
Typeface 2 6 4 2006 Torrent Pirate Bay
2 Writing, calligraphy, drawing and type designs
On the similarities and differences between methods of writing, calligraphy, drawing, and type design; shared characteristics, common elements and considerations when sketching typographical characters.
3 Processes and methods
On approaches to sketching, proportion and structure, consistency, optical correction, planning and workflow.
4 Digitisation
On digitising the sketches, principles of drawing with digital outlines, fundamental and complementary characters, sequences and derivations.
5 Spacing
On basic methods to control and adjust spacing: sidebearings and kerning, the importance of counterform, numerals and vertical spaces.
6 Typographic programme
On series design and family variations – italics, weight and proportional variants, optical sizing, superfamilies and other ways of extending a typeface family.
7 Typography as software
On the role of digital technology in typeface design, from the basics of formatting to the possibilities of Open Type features and Unicode.
8 Distribution
On legal issues and marketing, plagiarism and piracy, distribution models, custom typeface design and costings.
9 Perspective
Reflections of each author on their personal experiences of the process of type design.
Glossary and Bibliography
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Technical data
Title: How to create typefaces. From sketch to screen
Authors: Cristóbal Henestrosa, Laura Meseguer y José Scaglione
Translation: Christopher Burke and Patricia Córdoba
Publisher: Tipo e
May 2017
Printed on Fedrigoni Sirio Arancio 210 gsm and Olin Regular Natural White 100 gsm.
Made and printed in Madrid, Spain by Brizzolis SA.
123 illustrations
ISBN 978-84-938654-3-6
170 mm × 210 mm
Cisdem video player 4 5 0 5.
Typeface 2 6 4 2006 Torrent Tpb
Authors
Cristóbal Henestrosa (Ciudad de México, 1979) is a graduate in Graphic Communication from the Escuela Nacional de Artes Plásticas at the National Autonomous University of Mexico (UNAM), possesses a master's degree in Typographic design from the Centro de Estudios Gestalt and also a diploma in Type Design from The Cooper Union. His type families have been prizewinners of the Type Directors Club in New York and Tipos Latinos (Biennial of Latin American Typography). He is the author of Espinosa: Rescate de una tipografía novohispana (2005), as well as professor of typography and type design at the UNAM.
Laura Meseguer (Barcelona, 1968) is a freelance typographer and type designer based in Barcelona. She also teaches and eventually writes. She works in custom lettering and type design projects and through her own digital foundry, Type-Ø-Tones, she releases and promotes her typefaces. These days she is busy with some commercial and personal jobs, and the design of Qandus Latin for the Typographic Matchmaking in the Maghrib project.
José Scaglione (Rosario, 1974) is a graphic designer, typeface designer, and co-founder of the independent type foundry TypeTogether with Veronika Burian, where they have published numerous award-winning type families. He teaches typography at the University of Buenos Aires, Argentina, and is frequently invited to lecture about typography and to lead workshops on typeface design at international conferences and academic institutions. José collaborated with Jorge de Buen Unna on his book Introducción al Estudio de la Tipografía. In 2012 José acted as chairman of the Letter.2 type design competition and conference. In 2013 he was appointed president of the Association Typographique Internationale (ATypI).
Reviews
→ How magazine, by Jason Tselentis (October 2017) [in English]
→ Alphabettes, by Jessica McCarty (September 2017) [in English]
→ Typedrawers, by Simon Cozens (July 2017) [in English]
→ Eye magazine, the blog (June 2017) [in English]
→ Eye magazine (2012) [in English]
→ TGM [in German]
→ Don Serifa [in Spanish]
→ Unos Tipos Duros [in Spanish]
→ Graffica.info [in Spanish]
→ El blog de Manuel Rivas [in Spanish]
→ Criterion [in Spanish]
→ Neo2 [in Spanish]
Bookshops, where to find the book
BookTherapy, Prague, Czech Republic
Canadian Centre for Architecture, Montreal, Canada
Cohen+Dobernigg, Hamburg, Germany
Swipe Design | Books + Objects , Toronto, Canada
At events organised at St Bride Library, London
St Bride Library (shipping globally)
International editions
The book Cómo crear tipografías was originally published in Spanish by Tipo e in 2012 and since then it has been published in different languages.
Cómo crear tipografías. Del boceto a la pantalla
Tipo e, March 2012, November 2012, March 2015.
Jak projektować kroje pisma. Od szkicu do ekranu
d2d, 2014. Technical review by Adam Twardoch.
Cómo criar tipos: do esboço à tela
Estereográfica, 2014. Translated by Priscila Farias.
How to create typefaces, from sketch to screen
Tipo e, May 2017. Translated by Christopher Burke and Patricia Córdoba.
Chinese edition
Citiq Press, June 2019. Coordinated and proofread by Zhao Liu .
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